The human figure has always been one of the most compelling subjects in art. My figure paintings are less about likeness than about presence—capturing a fleeting gesture, a moment of contemplation, or the quiet emotions that often go unnoticed. Watercolour allows me to balance careful observation with expressive spontaneity, preserving both the structure of the figure and the vitality of the painted mark. Through these works, I explore the relationship between light, form, and human experience.
The Quiet Hour, 38 cm x 28 cm, Watercolour on paper, 2026.
Juried into Philadelphia Water Color Society’s 126th Anniversary International Exhibition of Works on Paper.
Goh Huiying 